朱宣咸(1927年浙江——2002年重庆),中国画画家、木刻版画家、漫画家与美术活动家。20世纪40年代初起从事中国画与中国新兴木刻版画,半个多世纪来,创作了大量中国画、版画、漫画、插画、水粉画、水彩画、连环画等作品,并被中国美术馆及各地美术馆、博物馆等收藏;被《中国年鉴》,《中国百年版画》等大型文献收录;从1946年到2002年多次入选国内外一系列重要展览,发表作品数千次,艺术风格被《人民日报》等主要媒体专题评论;出版有《朱宣咸作品选》,《朱宣咸花鸟画选辑》,《朱宣咸木刻版画集》,《朱宣咸风景木刻版画选辑》,《朱宣咸漫画》,《艺术常青——美术家朱宣咸》等;由文化、新闻、出版等六单位联合主办了“朱宣咸从艺五十五年画展”;生平被载入《中国美术辞典》等国家级辞书

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“朱澄个人画展”前言

85美术与四川美院
案例说明

王 林

 

      八五美术至今已30年。四川美术学院当年自选作品展以“展品不拘内容和形式”,“不展课堂作业”,“自我审查、自己装潢、自己布置”为展览方法,从1985年至1989年共举办了12届学生自选作品展和3次以上教师自选作品展。其中亦包括师生个展。

      朱澄个展是1989年2月23日至3月4日在四川美院陈列馆(今“重庆当代美术馆”)举办双个展中的个人展览。现有展览作品均出自该展,是一个封存至今,完整保持当年原貌的展览。

      置四川美术学院、重庆当代美术馆、四川明天文化艺术投资管理公司联合主办《自选方式——四川美术学院1985—1989自选作品展回顾与文献展》和在湖北美术馆举办全国“八五美术史实考据”论坛之际,以朱澄当年个展作为案例,可以管中窥豹,清楚地看到当年四川美院与八五美术的关系。

      历史始终需要史实的考据与考证,此亦是美术史书写的前提。

2015年11月22日

         (本文作者:“朱澄个人画展”策展人之一、美术史论家、四川美术学院教授、博士生导师)



Case Instruction

By  Wang Lin

 

The 85 New Wave’s Art has been lasting for 30 years. The self-selected works exhibitions including twelve ones of students, more than three ones of teachers and some teacher or student’s solo exhibitions from 1985 to 1989 , were once held with the requirements for “the works with the full resources of expression” and “does not show class exercises”, and the principles of “self-accreditation, self-decoration and self-layout” by students.

Zhu Cheng Solo Exhibition, one of the dual exhibition, was held in Sichuan Fine Arts Institute Display Hall (“Chongqing Contemporary Art Museum ”) from Feb. 23 to Mar. 3 ,1989, which the presently exhibited works come from and is perfectly preserved as it was in that year.

At the time when the exhibition,“Self-Selected Way—The Retrospective and Documenta SCFAI Self -Selected Works Exhibitions from 1985 to 1989”, is jointly sponsored by Sichuan Fine Arts Institute, Chongqing Contemporary Art Museum and Sichuan Tomorrow Culture Art Investment Management Company, and the forum,“The Textual Research into Historical Facts of 1985’s Art”, is held by Hubei Art Museum, ZhuCheng Solo Exhibition in 1989 can be regarded as a case that conspicuously offers a glimpse into the close relationship between Sichuan Fine Arts Institute and the 85 New Wave’s Art.

History all along needs the textual research and verification of historical facts, which is the premise of writing art history.
 

November 22, 2015