朱宣咸(1927年浙江——2002年重庆),中国画画家、木刻版画家、漫画家与美术活动家。20世纪40年代初起从事中国画与中国新兴木刻版画,半个多世纪来,创作了大量中国画、版画、漫画、插画、水粉画、水彩画、连环画等作品,并被中国美术馆及各地美术馆、博物馆等收藏;被《中国年鉴》,《中国百年版画》等大型文献收录;从1946年到2002年多次入选国内外一系列重要展览,发表作品数千次,艺术风格被《人民日报》等主要媒体专题评论;出版有《朱宣咸作品选》,《朱宣咸花鸟画选辑》,《朱宣咸木刻版画集》,《朱宣咸风景木刻版画选辑》,《朱宣咸漫画》,《艺术常青——美术家朱宣咸》等;由文化、新闻、出版等六单位联合主办了“朱宣咸从艺五十五年画展”;生平被载入《中国美术辞典》等国家级辞书

首页/Home Page - 作品选/Selected Works-木刻版画/Woodcuts

\
朱宣咸《夜》
版画,1959
 

196088日,《人民日报》发表专题评论:“朱宣咸以清风明月为基调的《夜》,表现的是幼儿园阿姨正在细心地照看熟睡中的孩子,是一首歌颂新事物、温馨祥和与宁静优美的小夜曲,格调新颖,意境深远、感人致深”。

该作品入选1959第三届全国美术作品展1959第四届全国版画展览,被中国美术馆收藏,1962年又被入选纪念毛主席在延安文艺座谈会上的讲话发表二十年来全国优秀美术作品展2000年被邀请参加中国百年版画展,入编《中国百年版画(1900--2000)》。

著名画家、著名美术评论家、原中国美术家协会书记处书记、《美术》杂志主编力群,著名美术评论家、《人民日报》文艺部主任马克等盛赞该作品是中国美术的精品,至今给人留下很深的印象。

Night
By Zhu Xuanxian

Woodcut, In Chongqing City,  China, 1959
NO.W-001
 

Night, combined with a brand new style and fertile imagination, shows a maid is seeing after a sleeping baby at a beautiful night with soothing wind and bright moon, just like a sweet, peaceful and graceful serenade. 

 --------------------------

        朱宣咸作品充满着鲜明的时代感,充满着鲜明的社会性。


        1949
解放前,他就以失学、失业以致遭受牢狱之苦等亲身感受创作了不少如投抢匕首般震撼人心的作品,从多个角度鞭挞当时社会的黑暗,揭露与反映民众的疾苦与抗争;新中国成立和改革开放以来,我们社会重大的政治、经济、思想方面的活动也都在他的作品中留下了鲜明的轨迹,他总是豪迈奔放地以满腔的热情时似气势庞大的交响乐、时似涓涓细流的抒情诗,赞美新中国、赞美新社会、赞美纯净美好的大自然。


       
从这一帧帧高扬着时代精神的壮丽画卷,我们可以清晰地读到朱宣咸艺术创作的心路历程,读到他大半个世纪以来,始终坚持不懈地对真理、对光明、对艺术美与自然美的执著追求。


Zhu Xuanxian’s works are featured with vivid orientations to the times and the society.


Before the Liberation in 1949, based on his own experiences of dropping out of school, being unemployed and even being imprisoned, he created a number of works shocking as a dagger that reflected from multiple aspects the darkness of the society and the miseries and fighting of the people at that time. Afterwards, since the foundation of the P.R.C and the starting of the reform and opening-up, the significant social activities in politics, economy and thoughts have also left vivid traces in his works. With his abundant enthusiasm seeming to be the grand symphony or the stream-like lyric poem now and then, he praised the new China, the new society and the pure and beautiful nature.

From these historical paintings with the features of the times and the society, we can read clearly the emotional journey of Zhu Xuanxian’s artistic career and his persistent pursuit for truth and brightness as well as the artistic and natural beauty.