朱宣咸(1927年浙江——2002年重庆),中国画画家、木刻版画家、漫画家与美术活动家。20世纪40年代初起从事中国画与中国新兴木刻版画,半个多世纪来,创作了大量中国画、版画、漫画、插画、水粉画、水彩画、连环画等作品,并被中国美术馆及各地美术馆、博物馆等收藏;被《中国年鉴》,《中国百年版画》等大型文献收录;从1946年到2002年多次入选国内外一系列重要展览,发表作品数千次,艺术风格被《人民日报》等主要媒体专题评论;出版有《朱宣咸作品选》,《朱宣咸花鸟画选辑》,《朱宣咸木刻版画集》,《朱宣咸风景木刻版画选辑》,《朱宣咸漫画》,《艺术常青——美术家朱宣咸》等;由文化、新闻、出版等六单位联合主办了“朱宣咸从艺五十五年画展”;生平被载入《中国美术辞典》等国家级辞书

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朱宣咸版画《埋头半日天,难换一根烟》
1940年代作于上海

A Half Day’s Work Isn’t Worth a Cigarette
By Zhu Xuanxian
Woodcut, In Shanghai City, China, 1940s
NO.W-014

 
        "在1949年解放前朱宣咸创作的一些木刻版画,也有显得粗糙的地方,这正是新兴木刻版画早期的普遍现象。但是,可以看得出来,这里的大部分作品都是有感而作的,有的还是他亲身所受的折磨;这又是早期版画贴近生活而具有的共同倾向。因此,在粗糙中却透露着当时社会的种种苦难景象和那个时代特有的印迹,所以把它编印出来,倒也是一份真实的生活见证"。(杨可扬)
 
"The woodcut works of Zhu Xuanxian created before the Liberation in 1949 have some rough signs, which were often seen in most new woodcut works in the early period. However, it should be acknowledged that most of such works were based on his true feelings, and some even on his own experiences, which was also a common inclination of early woodcuts for its close relation with life. Therefore, although they are a bit rough, they are the reflections of the numerous miseries of the society and the unique trace of the time, and thus a true evidence of life". (Yang Keyang)