朱宣咸(1927年浙江——2002年重庆),中国画画家、木刻版画家、漫画家与美术活动家。20世纪40年代初起从事中国画与中国新兴木刻版画,半个多世纪来,创作了大量中国画、版画、漫画、插画、水粉画、水彩画、连环画等作品,并被中国美术馆及各地美术馆、博物馆等收藏;被《中国年鉴》,《中国百年版画》等大型文献收录;从1946年到2002年多次入选国内外一系列重要展览,发表作品数千次,艺术风格被《人民日报》等主要媒体专题评论;出版有《朱宣咸作品选》,《朱宣咸花鸟画选辑》,《朱宣咸木刻版画集》,《朱宣咸风景木刻版画选辑》,《朱宣咸漫画》,《艺术常青——美术家朱宣咸》等;由文化、新闻、出版等六单位联合主办了“朱宣咸从艺五十五年画展”;生平被载入《中国美术辞典》等国家级辞书

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朱宣咸版画《炼钢炉前》
(彩色版,黑白版)
1956年作
Before the Steelmaking Furnace
By Zhu Xuanxian

Woodcut, In Chongqing City, China, May, 1956
NO.W-059

 
      《炼钢炉前》,是美术家朱宣咸20世纪50年代在重庆市大渡口深入一零一厂(现重庆钢铁(集团)有限责任公司,简称“重钢集团”)体验生活后创作的作品之一,也是目前留下的直接来源于当时历史背景下、真实生动记录了重庆工业生产的珍贵美术图像文献。
 
       曾作为纪念重钢集团一百周年的标志图像,以及重钢集团搬离大渡口时媒体纪念特刊的封面。
 
       该作品成为了那个时代重庆工业的标志性美术图像。

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       如果说1949年新中国成立前,朱宣咸鲜明的爱憎之情是以投枪匕首般的仇恨去揭露、去鞭挞,充满着一种政治的激情的话,那么,他在对新中国新生活的表现之中,则给我们展示出了一组充满诗情画意的历史画卷。这里有反映农业生产的《山乡夏夜》、《秋郊傍晚》,反映钢铁工业的《炼钢炉前》,有“除四害”运动的《打苍蝇》,有农村卫生工作的《乡间医生》,甚至还有与政治学习相关的《五七干校的夜读》等。

Later, Zhu Xuanxian, who was marching into Sichuan with liberation army, settled in Chongqing. He turned the revolutionary enthusiasm before the Great Liberation in 1949 into passionate praise for the new prosperous society. If the vivid love and hatred of Zhu before this period was to expose and lash the retroacting authority in progressive way, then in the representation for new China and new life, Zhu Xuanxian presented a series of poetic history paintings. Summer Night in the Mountain Area and Autumn Dusk of the Suburb expressed the agricultural production; Before the Steelmaking Furnace portrayed the steel workers; Swatting Files was the mirror of “Overthrow the Four Pests” Movement, Doctors in Countryside depicted the country sanitary work; what’s more, Reading at Night in the May Seventh Cadre School was reflecting political study, and so on. Like the painters in that period, Zhu Xuanxian’s paintings retained lively traces of important political, economic and ideaistic activities after the foundation of PRC.