朱宣咸(1927年浙江——2002年重庆),中国画画家、木刻版画家、漫画家与美术活动家。20世纪40年代初起从事中国画与中国新兴木刻版画,半个多世纪来,创作了大量中国画、版画、漫画、插画、水粉画、水彩画、连环画等作品,并被中国美术馆及各地美术馆、博物馆等收藏;被《中国年鉴》,《中国百年版画》等大型文献收录;从1946年到2002年多次入选国内外一系列重要展览,发表作品数千次,艺术风格被《人民日报》等主要媒体专题评论;出版有《朱宣咸作品选》,《朱宣咸花鸟画选辑》,《朱宣咸木刻版画集》,《朱宣咸风景木刻版画选辑》,《朱宣咸漫画》,《艺术常青——美术家朱宣咸》等;由文化、新闻、出版等六单位联合主办了“朱宣咸从艺五十五年画展”;生平被载入《中国美术辞典》等国家级辞书

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朱宣咸中国画《苍松红日》
2002年

Verdant Pine and Red Sun
By Zhu Xuanxian
Traditional Chinese Painting,
In Chongqing City, China, Early Summer, 2002
NO.C-190


价值与启迪
 
 

 

“纵观朱宣咸中国画艺术,题材之丰富少有人比。在中国画创作中强调构图,重视线形,借助版画功力,尤其是板块、线刻的力度。比较而言,他是较少使用皴法的国画家,即亦倾向单纯。其水墨与色彩的运用往往出于构图所需,致力于描绘物象的鲜活与亮丽。在其笔下,形式感与象征性并重,见证着先生的自尊与自信。读朱宣咸作品,让人想到一个问题:艺术家固然因时代不同而有所变化,但真正优秀的艺术作品却往往是跨越时空的。”(王林)

在重视人品与修养的基础上,强调笔墨与多元性。朱宣咸以文人画之精神与坚实功力,融通俗平实画风、生活气息与丰富多彩多样性的题材,凭金石之气借景写意,柔西式客观写生、反衬、结构与设色等中西结合的表现手法。笔情墨法简逸明快、求意境而追形似,生机勃勃、大胆借鉴、善于思考,造型真实而色彩华美,构图严谨而富有完整的作品感,充满吉祥如意的象征性内涵。

朱宣咸的这种牢牢扎根于传统,并能意识到、且勇于从封闭保守的传统中国画壁垒中去突破。由此呈现贴近时代,走向生活,走向更为宽泛的艺术空间,充满着时代与生活气息的一种有品格之雅俗共赏画风,乃朱宣咸之普世审美价值;呈现求新求变、与时俱进、开拓探索的精神,为传统中国画艺术的发展进步与赋予新的生命力,做出了积极的贡献。

此种努力,带来焕发出自己时代之艺术价值,而不同于那种克隆古人古画之作。就此,朱宣咸的艺术探索、成果所给予我们的启迪,至今仍有现实的意义。

这,也正是朱宣咸“笔墨当随时代”中国画艺术与历史同行、与时代同步的价值与启迪之所在。

——摘自:《朱宣咸作品选》

上海人民美术出版社2010年出版

文字有所更新

文:朱 澄,朱 江

 

As an artist of traditional Chinese painting, woodcut and caricature as well as a fine arts activist with lofty morality and exquisite art skills, Zhu Xuanxian and his fruitful achievements in various disciplines have been deservedly written into the annals of Chinese fine arts history.

Zhu Xuanxian’s works have been collected by National Art Museum of China and other local galleries and museums as well as other large publications, such as China Yearbook, Chinese Graphic in 100 Years (1900-2000), and The Ardent Spirit in Bitter Cold——Woodcuts Created in Kuomintang-ruled Areas (from 1930 to 1949)etc.. From 1946 to 2002, his works have been exhibited in a series of national fine arts exhibitions many times: China Fine Arts Exhibition in 1946, China National Fine Arts Exhibition in 1948, China National Woodcuts Exhibition in 1948, Southwest Traditional Chinese paintings of Art Exhibition in 1952, the Caricature Exhibition in 1958, the 3rd National Fine Art Works Exhibition in 1959, the 4th National Woodcuts Exhibition in 1959, the National Excellent Art Works Exhibition for the 20th Anniversary of Mao Zedong’s Speech on Yanan Literature and Art Group Discussion in 1962, Exhibition of Chinese Graphic in 100 Years in 2000, and Exhibition of Precious Woodcut Works of Shanghai in Earlier Times in 2002 etc..