朱宣咸(1927年浙江——2002年重庆),中国画画家、木刻版画家、漫画家与美术活动家。20世纪40年代初起从事中国画与中国新兴木刻版画,半个多世纪来,创作了大量中国画、版画、漫画、插画、水粉画、水彩画、连环画等作品,并被中国美术馆及各地美术馆、博物馆等收藏;被《中国年鉴》,《中国百年版画》等大型文献收录;从1946年到2002年多次入选国内外一系列重要展览,发表作品数千次,艺术风格被《人民日报》等主要媒体专题评论;出版有《朱宣咸作品选》,《朱宣咸花鸟画选辑》,《朱宣咸木刻版画集》,《朱宣咸风景木刻版画选辑》,《朱宣咸漫画》,《艺术常青——美术家朱宣咸》等;由文化、新闻、出版等六单位联合主办了“朱宣咸从艺五十五年画展”;生平被载入《中国美术辞典》等国家级辞书

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朱宣咸中国画《紫藤》
1991年
 
Wisteria
By Zhu Xuanxian

Traditional Chinese Painting, In Chongqing City, China, Winter, 1991
NO.C-021


        以篆书用笔,以刻刀入画是朱宣咸在用笔用线方面的特点。
 
        长期对《石鼓文》的临习,加上他同时又是一个有着数十年经验使用刻刀进行创作的木刻版画家,因此这金石篆书与木刻版画的用刀,形成了他着笔就是着刀,刀笔一体,运刀般用笔充满着力度,从而以刀意领笔气、以刀气使笔意、以刀力气笔端,线条流畅而不轻浮,圆浑厚重,老练泼辣,挥洒自如。

It is the characteristic of Zhu Xuanxian in combining the skills of seal-character brush and woodcut painting.
 
Because he had imitated the seal characters against the Drum Stone Inscription for years, and he was also a xylograph painter who had been using gravers for dozens of years, these two advantages enabled him to use the gravers as the brushes, and the brushes as the gravers, which are full of strength and mutually complement, leading to a smooth and dignified artistic style.