朱宣咸(1927年浙江——2002年重庆),中国画画家、木刻版画家、漫画家与美术活动家。20世纪40年代初起从事中国画与中国新兴木刻版画,半个多世纪来,创作了大量中国画、版画、漫画、插画、水粉画、水彩画、连环画等作品,并被中国美术馆及各地美术馆、博物馆等收藏;被《中国年鉴》,《中国百年版画》等大型文献收录;从1946年到2002年多次入选国内外一系列重要展览,发表作品数千次,艺术风格被《人民日报》等主要媒体专题评论;出版有《朱宣咸作品选》,《朱宣咸花鸟画选辑》,《朱宣咸木刻版画集》,《朱宣咸风景木刻版画选辑》,《朱宣咸漫画》,《艺术常青——美术家朱宣咸》等;由文化、新闻、出版等六单位联合主办了“朱宣咸从艺五十五年画展”;生平被载入《中国美术辞典》等国家级辞书

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朱宣咸中国画《寿桃》
1987年
 
Peaches of Longevity
By Zhu Xuanxian
Traditional Chinese Painting, In Chongqing City, China, Autumn, 1987
NO.C-006


 
  桃,在中国传统文化里被称为寿桃,有象征长寿和吉祥的意义。
朱宣咸爱画寿桃,往往运用没骨大写意画法,将桃画得很大,具有强烈的视觉冲击力。寿桃的数量也是画双不画单,包含了好事成双的寓意。
        
        朱宣咸这种雅俗共赏,独具特色与精神内涵的作品,体现了他在追求艺术美的同时,也传递着中国传统文化里种种美满吉祥的元素,抒发出“三千年开花,三千年结果”的无限遐想。
 
Peach, also called peach of longevity, is the symbol of longevity and fortune in traditional Chinese culture.
Zhu Xuanxian likes painting the peaches of longevity, which are usually in large sizes and adopt hidden trunks and large impressionistic-style skill, giving strong visual impact. The peaches in his paintings are always in even number, meaning that good things always come in double.
 
These works, with their unique characteristics and spiritual intonation, cater for both the intellectualists and ordinary people, and while reflecting his pursuit for artistic beauty, also convey the fulfillment and good luck in traditional Chinese culture, expressing the endless fancy on “blossom once every 3000 years, and bear fruits once every 3000 years”.