朱宣咸(1927年浙江——2002年重庆),中国画画家、木刻版画家、漫画家与美术活动家。20世纪40年代初起从事中国画与中国新兴木刻版画,半个多世纪来,创作了大量中国画、版画、漫画、插画、水粉画、水彩画、连环画等作品,并被中国美术馆及各地美术馆、博物馆等收藏;被《中国年鉴》,《中国百年版画》等大型文献收录;从1946年到2002年多次入选国内外一系列重要展览,发表作品数千次,艺术风格被《人民日报》等主要媒体专题评论;出版有《朱宣咸作品选》,《朱宣咸花鸟画选辑》,《朱宣咸木刻版画集》,《朱宣咸风景木刻版画选辑》,《朱宣咸漫画》,《艺术常青——美术家朱宣咸》等;由文化、新闻、出版等六单位联合主办了“朱宣咸从艺五十五年画展”;生平被载入《中国美术辞典》等国家级辞书

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朱宣咸中国画《群鹰图》
1999年
 
Eagles
By Zhu Xuanxian
Traditional Chinese Painting, In Chongqing City, China, Summer, 1999
NO.C-004

 


        对鹰的把握,朱宣咸喜将“动势”寓于千钧一发“静态”的瞬间,使作品在宁静里充满着力的紧张,蕴孕着强劲的生命。

        如果说梅花是朱宣咸精神世界的一个主要映照,那么他在劲松和雄鹰方面的作品也正是与他的这一自我映照一脉相承的。

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        群鹰盘松,展翅压顶,极具强悍的“力”和“气”的充盈与气派。

In the painting of eagle, Zhu Xuanxian likes to indicate the “dynamic” through a critical state of “standstill”, so that the works are full of the tension of strength that leads to the birth of vital life.

If the paintings of plum are a major reflection of Zhu Xuanxian’s spiritual world, his works in pine and eagle are consistent with his own reflection on life.

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The eagles are sitting on the top of pines, and the lines show the combination of strength
and boldness, which delivers a sense of momentum, so that when looking at the paint in front of you, you always feel some sort of magnificence immediately.