朱宣咸(1927年浙江——2002年重庆),中国画画家、木刻版画家、漫画家与美术活动家。20世纪40年代初起从事中国画与中国新兴木刻版画,半个多世纪来,创作了大量中国画、版画、漫画、插画、水粉画、水彩画、连环画等作品,并被中国美术馆及各地美术馆、博物馆等收藏;被《中国年鉴》,《中国百年版画》等大型文献收录;从1946年到2002年多次入选国内外一系列重要展览,发表作品数千次,艺术风格被《人民日报》等主要媒体专题评论;出版有《朱宣咸作品选》,《朱宣咸花鸟画选辑》,《朱宣咸木刻版画集》,《朱宣咸风景木刻版画选辑》,《朱宣咸漫画》,《艺术常青——美术家朱宣咸》等;由文化、新闻、出版等六单位联合主办了“朱宣咸从艺五十五年画展”;生平被载入《中国美术辞典》等国家级辞书

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  • 论朱宣咸艺术——李可染、王琦、华君武、王朝闻、刘开渠等
    著名美术家、著名美术评论家:李可染、刘开渠、王琦、华君武、王朝闻、邵大箴、沈鹏、王伯敏、彦涵、力群、杨可扬、庞薰琹、赵延年、马克、李少言、沈福文、郑爽、袁晓岑、晁楣、赵宗藻、李忠翔、李允经、王林、林木、Anne Farrer、骆献跃、谢小凡等从多个角度对朱宣咸的艺术进行了肯定。  >> +More 阅读全文

  • 林木:论朱宣咸从投枪匕首到纯情艺术
    中国新兴木刻运动本来就是诞生于革命斗争的需要,由无产阶级文化运动的旗手鲁迅先生发起组织而兴起于上海的。美术家朱宣咸先生,因进步活动而与木刻结缘似乎是人生的必然。他一生无师自通的第一幅木刻作品《难忘的一夜》就是真实地记录自己1946年参加学生运动的遭遇  >> +More 阅读全文

  • 朱澄:论朱宣咸中国画的时代性,社会性, 多元性与精神性
    艺术作品是精神的产物。一个艺术家的思想、情感、认识、风格、探索和诉求,以及由此产生的作品和成就,往往是与他所处的特定的时代、特定的社会环境、特定的文化背景、以及特定的民族背景和特定的地域环境等是分不开的。法国19世纪著名史学家、哲学家兼文艺理论家丹纳(Taine)先生在他那令人心旷神怡的《艺术哲学》(Philosophy of Art)里对此有过非常详尽的分析,他甚至在此基础上还提到了宗教、气候等因素。  >> +More 阅读全文

  • 杨可扬:读朱宣咸的作品
    有个时期,木刻版画在中国曾被贬为不登大雅之堂的 " 雕虫小技 "。可是,在这同时却有许多人深深地迷上了它,而且终身不 能忘情,朱宣咸同志就是其中的一个。朱宣咸是 1949 年解放前参加中华全国木刻协会的。其实他在这之前,已在浙东台州的家乡, 凭着对木刻艺术的粗略认识,无师自通的开始刻起木刻来了  >> +More 阅读全文

  • From Spear and Dagger to Pure Art——On the Woodcut Art of Zhu Xuanxian /By Lin Mu
    From Spear and Dagger to Pure Art ——On the Woodcut Art of Zhu Xuanxian (朱宣咸) By Lin Mu Famous fine art historian and critic, Member of the Theory Committee of China Artists Association, Former assoc  >> +More 阅读全文

  • Orientations to the Times, Society, Multiplicity and Spirit——About Zhu Xuanxian's Traditional Chinese Painting Art and Miscellaneous /By Zhu Cheng
    Orientations to the Times, Society, Multiplicity and Spirit ——About Zhu Xuanxian's Traditional Chinese Painting Art and Miscellaneous By Zhu Cheng  >> +More 阅读全文

  • Comments by Other Famous Artists about Zhu Xuanxian
    The works by Zhu Xuanxian have many unique features for us to learn from and research on. In my impression, Comrade Zhu Xuanxian was diligent, and was an activist in the progressive woodcut force in Shanghai before liberation and also in the Joint Office of National Fine Arts Association of China, National Woodcut Association of China and National Caricature Association of China before liberation. I saw his works from the 1940s and 1950s, and he had always been creating new works with great efforts. The artistic and academic characteristics reflected from his works are precious.   >> +More 阅读全文

  • Appreciating Zhu Xuanxian’s Works /By Yang Keyang
    Some time in the past, woodcut was regarded as an inferior “small trick” in China. However, many people were just fascinated by it, and developed lifelong attachment to it, and Zhu Xuanxian (朱宣咸) was one of them. Zhu Xuanxian was a student attending the second-session correspondence courses sponsored by the National Woodcut Association of China in 1949 just before the liberation.   >> +More 阅读全文


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